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Friday, 21 November 2014

Wolf Hall by Hilary Mantel






































I spied this critically acclaimed novel at a book sale one afternoon and thought I would give it a go.

Previous reviews suggest that Hilary Mantel’s writing eradicates all the doom and gloom associated with history classrooms when the name Thomas Cromwell is announced, and the book sucks you into a Tudor time-tunnel.

My advice to you is however, don’t read this book in bed -it’ll suck you into a sleep coma that hours later you will wake up from, with still 400 pages to get through.

On the whole I wouldn’t say that I disliked Wolf Hall. It’s just initially very dense. 

The writing has some flashy brilliance. It’s full of meaty characterisations, swishy fabric descriptions and the occasional horrific end for an unfortunate heretic. 

These sections help to add juice to a dry and tired out period of British history, but it just takes so so long for anything to happen.

Or in fact, things do happen you just have to return to the modern world of the internet and take a refresher course in history on Wikipedia. Meanwhile Mantel places her characters around another dining table, exchanging subliminal banter and sly looks.

Also if you are a fan of dialogue you will love this book, but try to keep up. 

Mantel rarely refers to Cromwell as Cromwell but instead she uses confusing third person narrative of “he”, and when “he” says something in a room full of five other males you may find back-tracking pages and playing a very frustrating game of “Cromwell Says”.

I did learn things from its 650 pages. There is a sensational account of the barbarities carried out during the 1527 Sack of Rome, and Mantel gives a voice to the pitiful case of Elizabeth Barton, a Catholic nun who was executed for her prophecies against King Henry VIII.

Wolf Hall is the first part of a trilogy so I gather that Hilary Mantel is very much a fan of Thomas Cromwell. However I wonder how much of it could have been taken back to the cutting room and how much of it was the result of self-indulgence.

Tuesday, 4 November 2014

Wallenberg: The Incredible True Story Of The Man Who Saved The Jews Of Budapest by Kati Marton


























I became familiar with the name Raoul Wallenberg after studying various modules at university covering The Holocaust. The Swede is one of the few individuals upheld by history who able to save many Jewish lives from the Nazi persecution. 

On a recent visit to Budapest I went to the House of Terror, a building previously used to detain and interrogate people during the Soviet regime in Hungary. The building has now been converted into an excellent museum which provides a detailed history on the years in Hungary following the Second World War. 

Each room of the museum provides an insight to different parts of the regime, and its victims and perpetrators, with a sheet of information to read as you walk through the exhibitions. While reading I was shocked to learn that Raoul Wallenberg was named as one of the victims of the Soviet regime. 

Wanting to learn more about I brought Kati Marton’s biography of the Swedish diplomat at the museum shop. 

“Wallenberg: The Incredible True Story of The Man Who Saved The Jews Of Budapest” is a well written and researched account of Wallenberg’s family history and work in Budapest, and gives a speculative insight into the years of his imprisonment and isolation using testimony from fellow inmates.

The biography has been revised in the years 1982, 1995, and 2011, following revelations of new information concerning Wallenberg’s unlawful imprisonment.

Starting out with a detailed biography of the family name Wallenberg, who are revered family in Swedish society, Marton describes the birth and early upbringing of Raoul.

Born after his father’s death, Raoul was mentored by his grandfather. The foreign ambassador hoped to endow his young grandson with important life experiences to help him forge a successful career in the future. 

Marton provides an interesting account of Wallenberg’s time in American during his youth. When choosing to send his young protégée off on the “American Experience”, a Wallenberg family tradition, his grandfather shun the destinations of Ivy League universities and chose the University of Michigan, wishing to expose Raoul to a wider sphere.

In between semester dates, Raoul worked various odd jobs while hitchhiking up and down the West Coast. Here Marton relates a story of a run-in with danger which seems to foreshadow Wallenberg’s ability in handling fearful situations in the coming years. 

While hitchhiking back from the World Fair Wallenberg was robbed at gunpoint. The group of men stole his earnings from the World’s Fair and left the somewhat bemused son of multimillionaires by the roadside. 

“In the future I’ll be a bit smarter” he wrote to his grandfather “I don’t think I used good psychology…”





By providing an early picture of Walleberg’s life, Marton evokes an image of a young ambitious man who had the skills in diplomacy to deal with unpleasant and dangerous situations many would be afraid of even approaching.

In 1944 Wallenberg was recruited by the War Refugee Department and assigned to their legation in Budapest with the task of saving as many of the Jewish community as possible. During his time as a Swedish diplomat in Budapest, Raoul Wallenberg routinely around the clock to save the lives of 100,000 Jewish inhabitants during the Nazi occupation. 

The work he carried out had never been attempted before and in many cases Wallenberg was alone and had to rely on his own initiative.

By wining and dining important contacts, exploiting the Swedish immunity in the war, and in many cases by the use of sheer fortitude and luck, Wallenberg was able to save many families from the clutches of Nazi persecution.  

A key aspect to Wallenberg’s campaign was the issuing and forging of protective Swedish passports. If a link was established between a Jewish person and a Swede then Wallenberg could issue papers asserting the person’s immunity. Letters were written to names found in the Swedish directory urging strangers to relate some evidence of familiarity to Hungarian Jews they had never met. 

As a consequence the protected Jew did not have to wear the yellow star badge as required by many.


Wallenberg’s idea of protective housing for Jewish communities also played a major role. 

Wallenberg established rented houses, villas and apartments in Pest as diplomatic buildings by flying the Swedish flag, and at the end of the war tens of thousands were sheltered in these buildings.








However, throughout the campaign and particularly towards the end of the war these protective measures were ignored and the presence of Wallenberg himself was the only thing which could save the condemned.  

An evocative picture is given of Wallenberg shouting at Nazi officers to give back “his people” at the station of the deportation train.  At many times Wallenberg was called to intervene and save groups from firing squads at the last minute.

The question as to why such a prolific campaigner for human justice could suffer a fate is sensitively approached by Kari Marton. 

The writer gives extensive information referring to the ongoing campaigning by Wallenberg’s mother for answers and testimony provided by former prisoners of the Soviet regime.

The hypnosis provided by Marton is that Wallenberg was arrested and detained indefinitely for being a spy because the Soviets could not understand why a man who was a Christian and a Capitalist would risk his own life to save Jews.

Kari Marton’s biography is an informative and eye grabbing account of the injustices suffered by the Hungarian nation during and after the war, as well as a provoking picture of one of the few hero’s in history’s darkest chapter. 

At times Marton, by providing a linear historical narrative as the backdrop to Wallenberg’s work, does ignore the complexities of historical arguments surrounding events of the Second World War. Also the opening rhetoric of Wallenberg as a hero before the relation of events can at times be considered overly sentimental.  

However after reading eyewitnesses’ accounts of the bravery and self-confidence Wallenberg projected when he was alone and when so many lives depended of him, the only conclusion that can be draw is that his actions were nothing but “incredible”. 

Monday, 5 August 2013

Summer Wish List
























1) Sharp Objects by Gillian Flynn: After letting Gillian Flynn’s third novel Gone Girl take over my life in February I sought out her other titles and her first novel Sharp Objects instantly grabbed my attention.
The thriller, set in small town America, has the perfect blend of investigative journalism and grisly events, with a strong female protagonist leading the story.
Camille Preaker, a newspaper reporter haunted by a troubled childhood, is sent back to her home-town after a series of murders shock the community. A quick read of the first chapter on Amazon showed promise of Sharp Objects being just as addictive as its successor.
 
2) 1Q84 by Haruki Murakami: As you may guess from my summer wish list I have a yearning to visit Japan and Haruki Murakami’s trilogy has been popping up everywhere in bookshops as the mandatory introduction to Japanese culture and has recently made an addition to my Amazon wish list.
 
3) Number9dream by David Mitchell: I previously reviewed David Mitchell’s Cloud Altas in December where he impressed me with his skills as a writer and clever play on conventional narratives. Number9dream, Mitchell’s second novel, is set in Tokyo Japan and follows a man’s quest for his father; a simple concept that the inventive author is guaranteed to add his own innovative slant to. 
 
4) The Devil All the Time by Donald Ray Pollock: I’ve had a craving recently for the Southern Gothic and this novel’s synopsis hints at an ideal concoction of the darkly bizarre in rural Ohio. The morbid list of this book’s attractions of serial killers, ritual sacrifice and executions reads off like the perfect way to spend a dusky summer evening.

5) Spring Snow by Yukio Mishima: This novel takes the top spot on the Guardian’s top books set in Tokyo here where Number9dream also makes an appearance. Spring Snow offers the poetry delicacy of old Japan mixed with timeless love story.
 
6) Piracy: The Complete History by Angus Konstam: I’ve been meaning to read about the history of pirates since a visit to Croatia; the aquatic blue landscape and coastal towns were the inspiration behind Robert Louis Stevenson’s Treasure Island. After a laborious internet search Angus Konstam’s complete history stuck out as the most comprehensive guide to one of the world’s most illustrious and oldest occupations.Starting with origins of piracy in the Ancient ages documenting its development through medieval times to the present day: Piracy: The Complete History promises to dispel the romantic Hollywood myths surrounding swashbuckling buccaneers of the ocean and shed light on the brutality and bloody nature of history’s sea raiders.

Monday, 22 July 2013

Narcopolis by Jeet Thayil


On reading the first sentence of Narcopolis you instantly know Jeet Thayil is a poet. The Prologue reads like a long sprawling verse, the language curling on the paper, rising and slipping into stories, images breathing and drifting, like a single line of smoke. 

Words are framed and measured with space for imagination to seep in.

Bombay, a city of mangroves, the Stoneman killer stalks the streets of sleepers and handcarts, a hallucinatory world of outcasts, opium dens, hijras, and travellers…

In the haze of the chandu khana characters wait to open up like synapses flowering in Jeet Thayil’s brain. 

The first exhalation comes from Syrian Christian Dom Ullis, a travelling drug addict who seeks out the best pipe in Rashid’s place. 

As the pipe is passed around the room others emerge and recede, each with their own stories, addictions and philosophies to leave behind.

There is Xavier, an alcoholic poet whose sexual perversions mix with an unsettling obsession with Sainthood; Rumi, an unhappily married businessman, who finds a release in violence, and Mr Lee, a Chinese refugee reveals his family’s trauma during the Mao’s cultural revolution; an unhappy bunch of bums, pimps and addicts who survive in poverty only by living off a hourly hit of feverish bliss. 

Narcopolis covers the hard subjects of drugs, sex, and the slums, and admittedly it is at times difficult to read. Scenes of matter-of-fact brutality stand out in the riots of Bombay’s streets and behind hijra brothel’s closed doors. The novel’s theme of degradation is embodied the main character Dimple, an ennuch who feeds her growing addiction through prostitution, and who is used and violated by all of the characters. 

Often the reader will allow themselves a restful moment of clarity and intake some clear air, an option the characters are otherwise denied. 

The unusual prose, however, is something to admire in its intangible and unstable form which successfully evokes the fogginess of addiction. It makes sense then, once you learn that Narcopolis took five years to write and is a recount of the Jeet Thayil’s twenty year career as a drug addict. His poetic writing captures the remarkable experiences of the poorest of the poor and evanesces with a faint memory of Bombay’s forgotten characters.

Tuesday, 25 June 2013

Blood & Beauty: A Novel of The Borgias by Sarah Dunant

From its creamy black cover, gold detailing and red edged pages everything about this beautiful hardback edition of Sarah Dunant’s Blood & Beauty oozes the word “luxury”.

The spoils continue on delicately turning the first page as Sarah Dunant invites you to
watch the unfolding exploits of the most infamous family of Renaissance Italy.
   













15th century Rome is a cesspit of corruption. In the unrelenting heat fat cardinals yawn from their windows and look on while sheep eat grass growing in the ruins of a once great city. Inside the Vatican those in power scheme and manoeuvre for more power and many abandon the chaste route carved out for them by the church.
 
Yet despite derelict buildings and straying away from God’s will, Rome is still the centre of Christendom and holds the power in making or breaking kingdoms.

For one man this neglected fruit lies idle and ripe for plucking…


Sixty-one years old and with a budding young family of three sons and one cherished daughter, Rodrigo Borgia is to be become history’s most controversial pope: Alexander VI. 

His reign will be one to set tongues wagging in even in the poorest backstreets of the papal city; a reign marked by ambition, plots and above all family loyalties.

Detailing Alexander VI's life from his elevation in 1492, to his daughter’s second marriage, Sarah Dunant takes a career already possessed with the power to jump out of the page and places you, the reader, amongst the action.

Surrender yourself freely to Dunant’s vivid narration and rich vocabulary and you will find
yourself breathing in the stale air of the Sistine Chapel during the papal conclave, watching the amber glow of candles flicker over Pinturicchio paintings in the Room of Mysteries and hearing the clatter of plates as Alexander VI’s fist meets the dinner table in stark disapproval. 

The novel offers a refreshing take on a familiar historical cast. The figures are imbued a humanity that is enjoyable in its dimensions and offers a different slant to the cruel and villainous Alexander VI, whose weaknesses and motivations are exposed by Dunant. The character list also includes the naive and much doted on Lucrezia, who endures the pains of an unhappy first marriage, and the Pope’s handsome and politically astute eldest son, Cesare.    
Blood & Beauty is historical fiction at its finest with each point eloquently depicted right down to the tinniest of brushstrokes. Enjoy the Renaissance frescoes beautifully painted by Sarah Dunant, the lace of Lucrezia Borgia’s bridal gown as she walks the portico in front of a gathering crowd and the war cries of soldiers marching across the Mediterranean landscape.

In recent times the trend has been to sex up history in fiction and the Borgias have been no exception. The family have been treated to modern revamp with the 2011 television series starring Jeremy Irons, a series with great cinematography and grand costumes and scenery that falls short at times on the facts side. 

Sarah Dunant’s main achievement in Beauty & Blood is to deliver all the romantic and action packed elements of the Borgias’ story but remaining true to the captivating and undiluted authority of history itself. 



 

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